By Jeff A. Menges

Few books of the previous 2 hundred years have captured the mind's eye of illustrators as Alice's Adventures in Wonderland has. the unique variation of Lewis Carroll's 1865 masterpiece featured forty two woodblock engravings by way of John Tenniel. Created in shut collaboration with the writer, Tenniel's visions of the younger heroine and her amazing encounters have been however the first of many interpretations of Wonderland. This compilation explores a century and a half exuberant, ingenious inventive conceptions of Alice's world.
More than a hundred pictures contain Tenniel's engravings, besides colour and black-and-white illustrations through Arthur Rackham, Charles Robinson, Bessie Pease Gutmann, Margaret Tarrant, Millicent Sowerby, Milo iciness, Thomas Maybank, and so on. Editor Jeff Menges bargains remark at the illustrators and their paintings, and famous collector Mark Burstein stocks a bibliophile's point of view. an immense contribution to the background of recent e-book representation, Alice Illustrated will satisfaction enthusiasts of English literature and children's books, creditors of Lewis Carroll's works, and fanatics of the good illustrators.

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Additional resources for Alice Illustrated: 120 Images from the Classic Tales of Lewis Carroll

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28 Such mutations already appear in Latour’s litanies and in Blanciak’s speculative hybrid forms, but something overly remarkable is still going on in both cases. Mullahs and monsters, cushioned skyscrapers bent back on themselves—these are all fantastical inscriptions. Moreover, they are scarce and precious: the occasional devotional interlude in a study of bacteria, a scant example of a fleeting experimental structural design. For a more ordinary alternative, consider the photography of Stephen Shore.

Thing, then, is too eager to pin things down to satisfy tiny ontology. A thing is not just a thing for humans, but a thing for many other things as well, both material and immaterial. Yet a thing remains unitary even as it finds itself altering and coalescing into the myriad configurations of different moments within being. This is why unit becomes helpful as a name for objects or things. It is an ambivalent term, indifferent to the nature of what it names. It is also isolated, unitary, and specific, not simply the part of a whole or ontologically basic and indivisible like an atom.

Among fragments unearthed there was the twelfth-century vita of St. Aethelberht, which James reconstructed in the 1910s. But like his countryman C. S. Lewis, James is rarely remembered for his medieval scholarship. Instead, we know him best as M. R. James, author of classic collections of ghost stories, including Ghost Stories of an Antiquary. Still, traces of James’s medievalist roots reveal themselves like apparitions on his pages, usually in the form of gentleman–scholar protagonists who accidentally release supernatural wrath from an antique collectible.

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