By Barbara Thornbury
Read Online or Download America’s Japan and Japan’s Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011 PDF
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Extra resources for America’s Japan and Japan’s Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011
Anticipating the “total theater” movement and the esteem in which it held kabuki, Green wrote, “This is theatre as it some day may be in the United States. On no other stage of the world is there such color, spectacle, artistry of make-up, grace of motion, and such fusion of music with words, gesture and idea. We can all learn from Kabuki, and this work of Mr. ”22 Bowers’s reputation was further boosted, and at the same time kabuki captured “highbrow” attention, in a lengthy review of Japanese Theatre by Emerson Harris published in the Nation.
One of New York’s headline performing arts events, the three-week summer festival encapsulates the fluidity and contingency of cultural circulation and exchange on a global scale. I then turn to a discussion of the critics, scholar/experts, and Japan- based correspondents whose writings construct America’s Japan through the performing arts. They are “seeing-men” (and women), to borrow Mary Louise Pratt’s terminology,127 who function as cultural mediators and interpreters. ”128 Their output takes three basic forms: articles that preview forthcoming productions, reviews of presentations that have already occurred, and reportage intended to broaden and deepen American knowledge of the theater, music, and dance scenes in Japan.
It really becomes natural to them. ” Yokoshi said in response, “I must remind you that I am as fake as you are. I have been familiar with this form for only seven years, and I don’t live in Japan. I only do periodical training with long absences. My familiarity with dance is closer to you rather than the Japanese dancers. If a well-trained dancer taught you, it would take triple the time. It’s good they don’t have to teach you. Their training is only mimicking. ”98 Chiori Miyagawa is another forthright voice among flexible-citizen artists.